Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Juan de Espinosa
Still-Life with Flowers with a Garland of Fruit and Flowers

ID: 52627

Juan de  Espinosa Still-Life with Flowers with a Garland of Fruit and Flowers
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Juan de  Espinosa Still-Life with Flowers with a Garland of Fruit and Flowers


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Juan de Espinosa

Spanish Baroque Era Painter, ca.1590-1641 Spanish painter. Details of his life are scarce. He is documented in Madrid and Toledo between 1612 and 1626, and while he is recorded as having painted religious pictures and portraits (untraced), he is only known today for his still-life paintings. Documents relating to another artist of the same name, known as Juan de Espinosa, dating from 1645 to 1677, concern a different painter.  Related Paintings of Juan de Espinosa :. | Flowers and Shells | Still-Life with Shell Fountain and Flowers | Floral still life arranged in conch shell | A fountain of grape vines, roses and apples in a conch shell | Still Life with Grapes 6 |
Related Artists:
Mellery, Xavier
Belgian Symbolist Painter, 1845-1921 Belgian painter, decorative artist and draughtsman. A gardener's son, he was brought up in a quiet suburb of Brussels, bordering the Parc Royal. He studied under the decorative artist Charles Albert (1821-89) and then, between 1860 and 1867, took a course in decorative design at the Brussels Acad?mie. In 1864 he joined the studio of Jean-Fran?ois Portaels to learn the techniques of modelling, painting from life and history painting. Having won the Belgian Prix de Rome in 1870, he travelled to Italy, where he was inspired by the work of Mantegna. His early work treated the working lives of the Belgian poor in a social realist manner influenced by Charles de Groux
GUARIENTO d Arpo
Italian painter (active 1338-1368 in Padua)
CRESPI, Daniele
Italian Baroque Era Painter, ca.1598-1630 Italian painter and draughtsman. He was the most original artist working in Milan in the 1620s, the first to break with the wilfully exaggerated manner of Lombard Mannerism and to develop an early Baroque style, distinguished by clarity of form and content. In this context his Supper of St Carlo Borromeo is one of the most famous early 17th-century pictures in northern Italy.






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